Love in Hamlet, The Jilting of Granny Weatherall, and 'We Real Cool' Essay

Love in Hamlet, The Jilting of grannie Weatherall, and We real number Cool - Essay ExampleBy contrast, in our generation, even with the repeal of Dont Ask Dont Tell, and of marriage equality in New York and other states, the love pictured in literature often follows the so-called traditional set-up of a man and a cleaning woman. There are as well other ways in which literary portrayals of love have changed over measure for example, Shakespeares works tickle pink love but modern works sometimes downplay its role in our lives. What does this signify? The unlike portrayals of love in the following three texts can, at least in part, be attributed to the time of their opus Hamlet, in 1600, reflects a world in which love was idealized but often not sincerely part of reality. Marriages were arranged according to property ownership and convenience and what could be more convenient than the deeply kings brother taking over his role, wife included? The Jilting of Granny Weatherall, written by Katherine Anne Porter in 1930, presents love as important but not a driving force. Grannys stream-of-consciousness returns repeatedly to her being go away at the altar, but also to her own strength as a successful single pay back at the beginning of the twentieth century. Ultimately, though, her lost love pales in significance when compared to her jilting from God. Finally, in 1960, Brooks poem We Real Cool shows love as a reticent issue, masked by more important, wilder behaviour. This leads adept to ask now, fifty years after We Real Cool, what role does love play in modern literature, and is it as reflective of our reality as Hamlet, The Jilting of Granny Weatherall, and We Real Cool were in their times? ... s love play in modern literature, and is it as reflective of our reality as Hamlet, The Jilting of Granny Weatherall, and We Real Cool were in their times? This paper will look at the consanguinitys of these texts in damage of language and context to show that love is an evolving force in literature. Love in Hamlet, like every other theme in the play, is a multifaceted and complex presence Hamlets adoration of his mother, tempered by vicious disgust, has been interpreted as his sexual desire for her, stimulated by his sense of his mothers guilt (Jardine, 38) his relationship with Ophelia is also one of destructive love, and his words to her oscillate wildly between kindness and hatred ( model thee to a nunnery, go Shakespeare, III.i). Some critics have argued that Hamlets perception of his mother as weak - Frailty, thy name is woman (Shakespeare, I.ii) influences how he sees Ophelia. Hamlets relationship with Ophelia is clouded not just by his misogyny, but by his complete self-absorption his sombre takes precedence over her love for him, causing him to be cruel and sending Ophelia into a madness furnish by the loss of her father and her partner. However, the older couple in the play, Gertrude and Claudius, appears to be a genuinely t alented one, if the reader examines the text closely and refuses to take Hamlets interpretation of their marriage as read. Claudius is an effective king who deals diplomatically with events ranging in scale from the military threat from Norway to Hamlets depression (Shakespeare, I.ii) Gertrude is a caring mother who independently invites her sons friends to Elsinore to save his sorrow (II.ii) together they are a passionate couple who, in Hamlets own words, spend time honeying and making