Thursday, February 7, 2019
Italian Neorealism Essay -- European Cinema
The aim of this report is to discuss Italian Neorealism (Neorealismo) looking at how the movement played a significant element in European cinema during and after the times of Benito Mussolinis fascist regime. The report not only looks at how but why Neorealism became a growing phenomenon for filmmakers during its knotty 10 year period, and what implication of messages these Neorealist directors were trying to send out by their films. Backed up by several reliable book sources, the point for this report will also highlight the influences Neo-realism has created in modern filmmaking today. beforehand the dawn of Neorealism, Italy was under great turmoil in the early mid-twenties suffering from major economic crisis, bank failures and a collapsing government, which would also remember a collapse in the Italian film industry and the profound Era of cinema (Roberts, 2005). When Benito Mussolini took control as the 40th Prime curate of Italy in 1922 the revival of Italian cinema would be once over again be relived, but this time ruled under the control and charge by Mussolini and his fascist government (Bondanella, 2001). It was not until the mid 1930s that the sottish dictator truly recognized the potential power of media, where in 1935 a special funding was given to the production of Italian films which was used to stretch out up film institutions like the Centro Sperimenale di Cinematografia (CSC) film school, and Cinecitta (Cinema City) studios in 1937 (Ruberto and Wilson, 2007). The development of these institutions sparked the appearing of early sound cinema, specializing in genres such as comedies, melodramas, musicals and historical films, but were all categorized as propaganda and white telephone films by many another(prenominal) critics due... ...echoslovak New Wave, Denmarks Dogme 95, and British Social Realism, which all can be seen as notable influences from that of Italian Neorealism. Works CitedRoberts, J. (2005), Benito Mussolini, Min neapolis Twenty-First Century Books.Bonandella, P. (2010), Italian Cinema From Neorealism to the Present (3rd edn), capital of the United Kingdom The Continuum International Publishing Group Ltd.Ruberto, L.E. and Wilson, K.M. (ed.) (2007), Italian Neorealism and Global Cinema, Detroit Wayne State University Press.Reich, J. and Garofalo, P. (ed.) (2002), Re-viewing Fascism Italian Cinema, 1922-1943, Indiana Indiana University Press.Landy, M. (2000), Italian Film, Cambridge Cambridge University Press. Sorlin, P. (1996), Italian National Cinema 1896-1996, London Routledge.Shiel, M. (2006), Italian Neorealism Rebuilding the Cinematic City, London Wallflower Press.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.